Are the Mysterious Figurines Valkyries?

“Mysterious, ancient female figurines have been found by the dozens all over Denmark, and as far afield as England and Russia.” Thus begins an article in a recent issue of National Geographic Magazine. What are these mysterious figurines?

A find in Ribe, Denmark, which was a major trading port in the 9th century, may shed some light on the subject. Here, an “assembly line” of pedants was discovered in 2017. By making moulds out of clay, hundreds of pedants could be made at a time. These represent a variety of figurines similar to the ones seen on the tapestry found in the Oseberg ship, buried in a mound in Norway in 834 and discovered in 1904.

Some of the figurines portray women bearing swords and shields. These have usually been taken to be Valkyries, but a recent study by Pieterjan Deckers, archaeologist at the Free University of Brussels, suggests otherwise. He claims that these represent actual women fulfilling ceremonial roles, as they are wearing dresses that would be highly impractical in combat. Hence, the women are wilfully shown taking on male attributes. Similarly, other figurines show a man tearing at his hair, which is a traditionally feminine gesture.

Leszek Gardela, archaeologist at the National Museum of Denmark, says: “They steer away from a simplistic interpretation of women and weapons, where they’re all Valkyries and warriors, and argue for something else. It’s good to remember there’s no one fixed way of interpreting this material.”

https://www.nationalgeographic.com/history/article/viking-amulet-factory-discovery-forces-rethink-enigmatic-artifacts

Valkyrie - Wikipedia

The World’s Only Viking Helmet (and Other Objects)

Still ongoing in Oslo is the “Vikingr” exhibition at the Museum of Cultural History. On display is the most extensive collection of Viking swank assembled in Norway, including the world’s only intact Viking helmet (sans horns, if there was still any doubt).

Of particular interest to us is silver hoard from the 10th Century, found on the Teisen farm in Oslo in 1844. Among the items here are several Arabian and Persian coins from present day Iran and Iraq. There are also armrings, probably made from melted-down silver coins, which could both be worn and used as currency, sort of like a portable mini-bank. Finally, there are cut-down pieces of silver which must also have been used to buy stuff with and weighed according to price.

As if this wasn’t enough proof that 10th Century Norway was interconnected with large parts of the world, the next display case shows a treasure unearthed at a farm in Buskerud in 1834. While the Vikings mainly used silver, usually originating in the Caliphate, as currency, this hoard contains gold rings including one from England, multi-coloured pearls, Roman jewellery repurposed in the Viking Age, Frankish ornaments, as well as the omnipresent Arabian coins.

At the exhibit there are also finds from a female grave, which includes weapons. This could indicate that the roughly 19-year-old girl was a warrior, but little is known for sure. The still-intact skull will soon be DNA analysed, which may yield further information.

The museum is connected to the Viking Ship House on Bygdö Island, a short ferry trip away. A ticket for one is a ticket for both and can be used on different days. However, the Viking Ship Museum will soon be closed for renovation and will only reopen, vastly expanded, in 2025. Vikingr will run for a few more years. Even if you are not passing through Oslo Norway, you can take a virtual tour here:

https://my.matterport.com/show/?m=KLqd8Ur9Uuf

There is also an introductory video with English subtitles here:

https://www.khm.uio.no/english/visit-us/historical-museum/exhibitions/vikingr/index.html

Bildet kan inneholde: lokk, personlig verneutstyr, sirkel, skrift, metall.

From Byzantium to the Orkneys in the Comics

Between 2007 and 2012, Vertigo, an imprint of DC Comics, published a series called Northlanders by Brian Wood. It was comprised of various stories set in the Viking Age spanning the attack on Lindisfarne to the battle of Clontarf in Ireland in 1014. Some stories spanned multiple issues while others were one-offs.

The first story arc, later collected in one volume, is called “Sven the Returned.” It tells the story of the not very originally named Sven who goes from Mikligarður, or Constantinople, to claim his inheritance in the Orkneys. His father has recently died and the place has been taken over by his evil uncle.

The story is rather pedestrian, a simple tale of coming back for revenge better done in Hrafn Gunnlaugsson’s movie The Raven Flies and hopefully in the upcoming Northman by Robert Eggers. The characters are rather one dimensional and a Saxon invasion of the Orkneys at this time seems unlikely.

Nevertheless, the story does show the Viking World as a whole, reaching from Mikligarður in the east and all the way to the Faroes in the west. The fact that Sven has served in the Varangian Guard marks him out as tougher than his opponents, in much the same way that having served the Eastern Empire was seen as a mark of honour in the Icelandic Sagas.

Sven, having seen the world and met Muslims and Orthodox Christians, sees himself as culturally superior and less superstitious than his contemporaries who stayed at home, which probably would have been the case. A whole series set in Byzantium would probably have been more interesting, but at least the Orkneys finally get their due as an integral part of the Viking Age.

Northlanders was cancelled in 2012. Perhaps Wood’s previous series, DMZ set during the second American Civil War, may yet prove to be more historically accurate.

Are Viking Computer Games Too Violent?

Some people have criticised the Assassins Creed: Valhalla computer game which came out last year for being excessively violent. Long and bloody execution scenes are common, with no option to skip. Even by the standards of the Assassins Creed series, this is taking things a step further.

Jane Skjoldli, a self-professed gamer, is part of the Back to Blood Research Project at the University of Stavanger in Norway which aims to look at Viking representations in popular culture. She says that the game is based on a specific view of the Vikings, which sees them simultaneously as brutal warriors and traditionally masculine but also with progressive views on gender. The series has sometimes been praised for historical accuracy but this time we get a mythologized Viking World which combines the old religion and stave churches and various epochs of the Viking era. The game seems more inspired by The Vikings TV series than history.

At least they didn’t have horns in the show. That particular trope was invented by Carl Emil Doepler who was tasked with producing Wagner’s Niebelungenlied in 1876. A century of misconceptions in popular culture followed. Perhaps the History Channel take is the Doepler effect of our day?

Meanwhile, the game has been changed and you can now skip the gore. If you like.

The Viking version of Assassin’s Creed is surprisingly violent, according to researcher (sciencenorway.no)

Assassin's Creed Valhalla review: cloudy with a chance of mead halls | Adventure games | The Guardian

The Old Germanic Easter

Easter is, of course, a Christian holiday celebrating the death and resurrection of Jesus Christ. The timing was borrowed from Judaism, as Jesus was said to be crucified during Passover, originally meant to celebrate the first lambs of spring and later the first crops. The Christians borrowed much of the spring motif for their own celebration, which was transported to the north with the advent of Christianity after the year 1000.

But some scholars maintain that Germanic tribes previously had their own Easter traditions. Eostre was the goddess of spring, of morning, of rebirth and of children. This spring goddess once changed her pet bird into a rabbit who would then give children multi-coloured eggs as a symbol of life. Both Easter in English and Ostern in German take their name from Eostre. Both are related to east or ost, which is where the sun rises, symbolising the dawn and a new beginning. Spring is also connected to other goddesses, such as the Slavic Lada and the Nordic Freyja.

The rabbit symbolises fertility but otherwise seems unconnected to the Judeo-Christian tradition. Eostre was first mentioned by the English monk Bede around the year 700 and some scholars claim her to be his invention. However, Germanic-Romano inscriptions were discovered in 1958 near Morken-Harff, Germany which seem to substantiate the venerable Bede.

In Nordic languages, the festival derives from the Romano-Greek Pascha and it is now known as påske or páskar. Eggs were not supposed to be eaten during Lent, and in Eastern Europe pancake week is celebrated at the end of February when the last eggs before Easter are consumed.

Easter happily coincides with the laying of eggs and taxes were even collected in eggs at this time of year. This led to a surplus of eggs which were sometimes redistributed to the poor. In Norway, girls of marriage age would put an egg next to their breast and hand it to their chosen suitor. In some cases, the suitor would even be allowed to retrieve it himself.

Chocolate eggs first became known in Iceland in the early 20th Century, a custom imported from Denmark. The custom is still upheld, the eggs being filled with sweets as well as a proverb, the latter a custom going back to the 17th Century.

The Icelandic Asatru association does not commemorate Easter but will be celebrating the beginning of summer on April 22nd, which is a school holiday. This is the first day of Harpa, the first month of summer, harking back to the time when there were six summer months and six winter months. Neither is very descriptive of Icelandic seasons.

Sources: Vísindavefurinn: Hvaðan koma páskasiðirnir um kanínur, hænur, egg og annað slíkt? (visindavefur.is)

Ēostre – Wikipedia

 

A Real Shield-Maiden?

A Viking grave discovered in Birka in 19th century Sweden continues to generate attention. In the 1970s, it was suggested that the grave, bedecked with weapons and other warrior garb, may in fact have belonged to a woman. A DNA test from 2017 revealed this to be the case.

While the person in question was most decidedly female and was certainly armed to the teeth, being buried with a sheathed sword, an ax, a fighting knife, two spears, two shields, a quiver of 25 armour-piercing arrows and a small iron knife. many questions persist. Does this prove that she was, in fact, a warrior or were the items in some way ceremonial? Might it even suggest gender fluidity among Vikings, with roles in some cases being chosen irrespective of sex?

Scholars, of course, disagree, although surely we all like the idea of shield-maidens. Less celebrated, however, are the eastern aspects of the grave. Was the woman even Viking at all? And if so, in what sense? Her clothing seems to be of a more eastern design, even coming all the way from Central Asia. This may indicate that she had been there, certainly had access to goods from there, or may even have been from there.

A new short BBC video shows what her headgear may have looked like in full colour:

Hidden Histories – BBC Reel

Meanwhile, you can read more about the 2019 study, led by Neil Price, here:

Yes, That Viking Warrior Buried with Weapons Really Was a Woman | Live Science

Did the Viking Age Begin Because of a Volcano?

Why did the Viking Age begin? Surely, it must be the most enticing mystery of many regarding the Vikings. They seem to appear, fully formed, in the historical record with the raid on Lindisfarne in 793. And yet much must have taken place earlier for these remote people to suddenly emerge out of Scandinavia and ransack the known world, as well as parts unknown.

This is one of the subjects renowned archaeologist Neil Price addresses in Children of Ash and Elm, recently reviewed in the Times Literary Supplement. He traces the story back to the fifth and sixth centuries and the power vacuum and general instability after the end of the Western Roman Empire. This might seem intuitive, but Price goes farther and says that two volcanic eruptions in the sixth century led to winters lasting for years, dust blotting out the sun and the population of Scandinavia perhaps being halved. Due to all this, violence became common and those who wielded it most successfully created competing kingdoms. These were then exported to the outside world, with trade in iron and animal skins but also with raids and conquest.

According to this, it might seem that Ragnarök had already taken place by the time of the Vikings, the old Gods were dead and the new ones emerging in Iðavellir turned out to be just as fierce, if not more so. Dr. Price might not agree with the latter analogy but his thesis is interesting, not least for the times we find ourselves in as we in Iceland await a volcanic eruption and the world in general is starting to feel the effects of climate change. Hopefully that doesn’t mean we have to start going all Viking again.

The review by Jane Kershaw is available to read here: A reassessment of the Vikings and their world | The TLS (the-tls.co.uk)

The book is available here: The Children of Ash and Elm (penguin.co.uk)

Kings of the River, Lords of the Sea

So, it turns out that the Vikings not only traversed on the high seas but also went overland along rivers, not least in eastern Europe. These are among the conclusions in Dr Cat Jarman’s new book River Kings. Her riveting story starts with the Great Viking Army, depicted recently in popular TV shows such as The Vikings and The Last Kingdom, as they pummelled their way across eastern England. Left behind in Derbyshire during the rampage was a small orange bead. This was unearthed in 1982 and came into Dr. Jarman’s possession about ten years ago.

With the aid of the latest technology, she traces the origin of the bead through the rivers of present-day Russia and Ukraine and all the way back to Baghdad. It’s origin place seems to be across the Silk Roads in Gurajat in India. Using bioarchaeology, Jarman conclusively proves that the 9th Century world was in many ways interconnected and brought people as well as goods (many of whom were, in fact, people) from parts of Asia to Northern Europe and vice-versa, all written in an accessible and informative manner.

Dr. Jarman is currently involved with creating the eagerly anticipated new Viking museum in Oslo which is set to open in 2025. She also hosted the Real Vikings TV series on the History Channel. We can only hope than an Eastern Vikings museum will open some day. And perhaps a proper TV series is also overdue?

For more about the River Kings, see here:

River Kings by Cat Jarman review — the Vikings’ quest for the exotic east | Saturday Review | The Times

And here:

River Kings, Cat Jarman | Get History

Last Chance for World’s Largest Online Viking Festival

Everyone knows that a Thing was the old Norse name for a meeting place where disputes were settled, trade concluded and weddings arranged. The name is reflected in modern Icelandic in Alþingi, or the Parliament. Thing in English also means (apart from that Marvel superhero) some “thing.” Having fun with the name is the That Jorvik Viking Thing, held annually in old Jorvik, present day York in England.

This year, the event has moved online, running from February 15th to 20th, with some events available for longer. Among the highlights is a performance by Einar Selvik from the band Wardruna, who plays on representations of old Viking instruments.

There is also crafting, mead making and the annual Poo Day, which explains why archaeologists have such a love for old poo which can act as a window to the past. You can even make your own poo but purists be warned, the ingredients are representations and not the real thing.

Some Eastern Vikings did make it to the market in Jorvik, one of the more notable being Egill Skallagrímsson who raided in the east and traded in the west, although he also managed to do some fighting in the latter.

For information and tickets, click: What’s on – That Jorvik Viking Thing (jorvikthing.com)

Realism in Viking Movies

Our very own Neil Price, archaeologist and Viking expert, went through some of the biggest Viking films of all time. As was to be expected, he found much inaccuracy in the details but nevertheless felt that most of them captured something of the feel of Vikings, which is no small praise coming from someone who is one of the world’s leading authorities on the Viking mind (and author of a book of the same name).

For our purposes, perhaps most interesting is The 13th Warrior from 1999, starring Antonio Banders as Ibn Fadlan, the famous Arabic chronicler of the Vikings. The film is admittedly very loosely based on his accounts, and Neil does point out some of the flaws. Nevertheless, he says that it captures some of the cultural exchange that did take place along the Volga 1100 years ago, with various cultures conversing through interpreters. The Arabs, being the main protagonists, here speak English as cinema Vikings are wont to do. In this case, however, the Norwegians speak modern Norwegian. Shouldn’t they have gone for Icelandic instead?

Neil even has a kind word to say for the Marvel Universe Thor films, pointing out that it’s fascinating that people are still interested in stories first told around 1500 years ago, however much has changed in the retelling.

But the best and the worst is reserved for one of the first big-budget Viking films in Technicolour, the aptly titled The Vikings from 1958. While he says that the Vikings are  dressed unhistorically as cavemen, he is impressed that the hero is shown jumping between oars to show is prowess, a feat attributed in the Sagas to Olaf I. of Norway and here shown for the only time in cinema.

The story is not about the famous Olaf, however, enthusiasts of whom should be directed to the Icelandic film White Viking from 1991. The Vikings recounts the story of Ragnar Lothbrok and his sons, lately seen in the TV series of the same name. The aging Ragnar is played by Ernst Borgnine but the leading role goes to one of his sons, played by Kirk Douglas. Kirk himself is a Rus of sorts, being born Issur Danielovitch to Belarusian parents in New York. Everything always leads back to the Rus.

For the 13 minute video, click here:

Viking Expert Breaks Down Famous Viking Movies & TV Shows – YouTube